Standing Tall Over Copley: A Fresh Perspective on Copley Viaduct

 The industrial heritage of West Yorkshire is etched into its landscape through gritstone and mortar. Among these monuments of the Victorian era, few are as imposing yet graceful as the Copley Viaduct. On a crisp Sunday afternoon on the 8th of October 2017, I set out with my camera to capture this engineering marvel, not just as a landmark, but as a living part of the Calder Valley’s natural environment.

Most people see the viaduct from a distance or while passing over it on a train toward Halifax or Sowerby Bridge. My goal for this shoot was different: I wanted to get underneath its skin, exploring the varied angles and hidden paths that reveal the true scale of this 19th-century giant.

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Exploring the Calder and Hebble Navigation

My journey began along the water. The viaduct doesn't just span a valley; it leaps across the Calder and Hebble Navigation and the River Calder itself.

Standing on the towpath of the canal, the perspective is humbling. In one of the shots, looking directly up at the underside of an arch, you can see the intricate stonework and the weathered staining that tells a story of over 170 years of British weather. The reflection in the still canal water creates a perfect, dark symmetry, only broken by a few fallen autumn leaves—a gentle reminder of the October date.

The way the sunlight hits the gritstone highlights the "rock-faced" texture of the blocks. It’s a testament to the masons of the mid-1840s that these structures remain so formidable and functional today.

A Hidden Path Through History

Moving away from the water’s edge, I followed a narrow, walled path that leads toward the base of the structure. I chose to process one of these shots in a moody, high-contrast monochrome to emphasize the leading lines.

The dry-stone walls, so characteristic of Yorkshire, create a funnel that draws your eye directly toward the massive arches in the background. This "tunnel vision" effect highlights the contrast between the human scale of the walking path and the gargantuan scale of the railway infrastructure. There is something incredibly peaceful about these narrow corridors where nature is slowly reclaiming the edges of the stone.

The Arches in the Autumn Sun

As I moved into the more open areas, the full length of the Copley Viaduct revealed itself. With 23 arches in total, it dominates the skyline. On this particular October day, the sky was a perfect mix of bright blue and scudding white clouds, providing a dynamic backdrop that made the yellow-grey stone "pop."

From the grassy banks, you get a sense of the rhythm of the architecture. The repeating curves create a visual melody across the valley. I made sure to capture a wide-angle view from behind a low stone wall, letting the foreground wildflowers and overgrown brush frame the viaduct. It places the bridge within its ecosystem—it’s not just a cold piece of transit; it’s a permanent fixture that the trees and rivers have grown around.

Key Features of Copley Viaduct:

• Completed: Circa 1847 for the Lancashire and Yorkshire Railway.

• Structure: 23 semi-circular arches.

• Material: Local gritstone with brick-lined arches.

• Purpose: Carrying the Manchester to Leeds line across the Calder Valley.

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Technical Angles and Texture

Getting close to the piers allows you to appreciate the sheer volume of material used. I found a great angle looking up through the foliage. The green leaves of the sycamores and oaks provide a soft, organic frame for the hard, geometric lines of the bridge.

One of my favorite shots from the day focuses on a single pier rising out of the River Calder. The water here moves a bit faster than the canal, and the base of the stone is smoothed by decades of flow. It’s a reminder that while we build these structures to be permanent, they are in a constant dialogue with the elements.

Why Copley is a Photographer’s Dream

Whether you are a professional or a hobbyist with a smartphone, Copley Viaduct offers endless composition opportunities:

1. Reflections: Use the canal for mirror-like symmetry.

2. Leading Lines: Use the towpath or the walled footpaths to create depth.

3. Nature Contrast: The juxtaposition of the heavy stone against the delicate autumn leaves.

4. Scale: Using the fences or nearby buildings to show just how high those arches reach.

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Final Thoughts

Capturing Copley Viaduct on that October day was a reminder of why I love architectural photography. It’s about more than just a "record" of a bridge; it’s about capturing the feeling of a place. The way the light shifted between the arches and the way the shadows played across the river made for a rewarding afternoon behind the lens.

If you find yourself in the Sowerby Bridge or Halifax area, I highly recommend taking the walk down to the valley floor. Don't just look at the viaduct—look through it, look up at it, and appreciate the monumental effort it took to bridge this gap over a century ago.

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All the images remain the copyright of Colin Green.

The Salvage Archive: Langthwaite in 1976 through a 35mm Lens

 There is a unique kind of magic hidden within the emulsion of a 35mm slide. When held up to the light, these tiny windows into history offer a clarity and colour palette that digital sensors often struggle to replicate. Today, I am thrilled to share a particularly special piece from my personal collection: an aerial perspective of Langthwaite village in 1976.

Nestled in the heart of Arkengarthdale within the North Yorkshire Pennines, Langthwaite is one of those rare English gems that feels as though time has intentionally slowed down. Looking at this photograph, taken nearly half a century ago, we are invited to explore the architecture, the landscape, and the soul of the Yorkshire Dales during a golden era of British rural life.

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The Charm of Arkengarthdale: A 1970s Perspective

In 1976, the world was a different place. The UK was experiencing a legendary heatwave, the music of ABBA and Queen topped the charts, and in the quiet corners of North Yorkshire, life revolved around the seasons and the land.

This photograph captures Langthwaite from an elevated vantage point, likely from the rising hills that hug the village. The first thing that strikes the viewer is the uninterrupted stone architecture. The traditional gritstone cottages, with their heavy slate roofs, sit huddled together as if for warmth, even in the summer sun.

The Architecture of Endurance

The buildings seen in this 1976 slide are testament to the "dry stone" heritage of the region. Many of these structures date back to the height of the local lead mining industry in the 18th and 19th centuries. By 1976, the mines had long been silent, but the village remained a sturdy, living monument to that industrious past.

If you look closely at the centre of the village in the image, you can spot the famous Red Lion Inn. Even then, it served as the beating heart of the community—a place where farmers, locals, and the occasional adventurous hiker would gather for a pint of local ale.

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The Landscape: Then and Now

The surrounding greenery in this image tells its own story. The fields are divided by the iconic dry-stone walls that characterize the Yorkshire Dales National Park. In 1976, these walls were (and still are) essential for managing livestock, primarily Swaledale sheep.

One notable aspect of this vintage slide is the vibrancy of the colors. 35mm film, particularly Kodachrome or Ektachrome which were popular in the 70s, had a way of rendering greens and blues with a saturated, organic warmth. The rolling hills in the background of the shot look soft yet formidable, reminding us that while humans build villages, the landscape ultimately dictates the terms of life here.

A Setting Fit for the Screen

It is no wonder that Langthwaite became a star of the small screen shortly after this photo was taken. Fans of the classic BBC series All Creatures Great and Small will recognize the village bridge and winding lanes. The 1970s were the beginning of Langthwaite's "fame," yet the photo shows a village that remained remarkably unpretentious and focused on its own daily rhythms.

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The Technical Nostalgia of the 35mm Slide

For photography enthusiasts, the medium is just as important as the subject. This image wasn't captured on a smartphone with instant filters; it was a deliberate act. Using a 35mm camera required an understanding of light, aperture, and patience.

The "look" of this 1976 shot—the slight grain, the way the sunlight catches the white-washed gable ends of the distant houses, and the deep shadows in the valley—is something modern photographers often spend hours trying to emulate in post-processing. There is a "honesty" to film that makes this view of Langthwaite feel tangible.

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Why Langthwaite Remains Iconic

What makes this 1976 view so poignant is how much—and how little—has changed. If you were to stand in the same spot today with a digital camera, the silhouette of the village would be almost identical.

• Conservation: The village is part of a conservation area, ensuring that the stone character seen in the slide isn't lost to modern development.

• Community: While many rural villages have struggled, Langthwaite maintains a sense of identity, supported by tourism and a deep-rooted local population.

• Natural Beauty: The "hush" of the dales, visible in the sprawling fields behind the village, remains as tranquil today as it was forty-eight years ago.

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Preserving Our Visual History

Sharing these slides is more than just a trip down memory lane; it’s about preserving a visual record of our cultural landscape. This image serves as a bridge between the generations who lived through the 70s and those who now visit Arkengarthdale to escape the frantic pace of the 21st century.

As we look at the tiny cars parked near the village green and the lack of satellite dishes on the roofs, we are reminded of a simpler, quieter England. It encourages us to look at our own surroundings today and wonder: what will someone think of our world 50 years from now?

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Autumn Day at Hewenden Viaduct

 On the 10th of October 2015, the air over West Yorkshire held that unmistakable autumn dampness— that softens the edges of the rugged landscape. On this particular day, equipped with a Polaroid iS2132, I set out to capture the intersection of Victorian industrial ambition and the enduring natural beauty of the area around Hewenden Viaduct and Reservoir.

The resulting images serve as a time capsule, not just of a date a decade ago, but of a monumental structure that has stood for nearly 150 years.

The Colossus of Cullingworth

Standing at the edge of the valley, the first thing that strikes you about Hewenden Viaduct is its sheer scale. It is a towering achievement of the Great Northern Railway, once part of the "Queensbury Lines" that connected Keighley, Bradford, and Halifax.

In the dull light of that October morning, the viaduct’s 17 arches stretched across the valley like the skeleton of a prehistoric giant. Using the Polaroid iS2132’s zoom allowed for a perspective that emphasizes the dramatic curve of the structure as it disappears into the treeline. The stone, weathered by over a century of Yorkshire rain, took on deep, moody tones in the overcast light, highlighting the precision of the Victorian stonemasons.

A Walk Through Industrial History

The beauty of Hewenden isn't just in the viaduct itself, but in how the surrounding landscape has reclaimed the industrial footprint. Following the path toward the structure, you encounter the quiet relics of a busier era:

• The Disused Railway Bridge: Near the main viaduct, a smaller stone arch bridge sits tucked away in the dense woodland. In October, the ground is a carpet of fallen leaves, and the bridge feels like a gateway into a forgotten world.

• The Old Metal Gate: An ornate, rusted metal gate set into a dry stone wall marks an old boundary, leading your eye down a leaf-strewn track that once likely served the railway or the nearby reservoir works.

• The Viaduct Deck: Standing atop the viaduct, the view is dizzying. The long, straight stretch of the former trackbed is now part of the Great Northern Railway Trail. In black and white, the perspective of the stone parapets underscores the isolation and the height of the crossing.

The Still Waters of Hewenden Reservoir

Adjacent to the towering arches lies Hewenden Reservoir, its surface like a dark mirror under the grey October sky. The relationship between the two structures is a masterclass in Victorian engineering—the massive embankment of the reservoir sitting in the shadow of the even more massive viaduct.

The photography from that day captures the reservoir's spillway and the intricate stone channels designed to manage the flow of water. From the height of the viaduct, the reservoir looks like a silver shard embedded in the vibrant green of the Yorkshire hills. Even late in the season, the fields remained a vivid emerald, contrasted by the first turning leaves of the surrounding oaks and beeches.

Capturing the Atmosphere with the Polaroid iS2132

The Polaroid iS2132, a bridge camera known for its impressive 21x optical zoom, was the perfect companion for this excursion. While it might not have the sensor size of a modern DSLR, its ability to compress the landscape allowed for striking compositions.

Choosing to render some scenes in high-contrast black and white or sepia tones helped to lean into the historical gravity of the site. The monochrome images of the viaduct arches emphasize the geometry and the play of light and shadow, stripping away the distraction of the green fields to focus on the raw stone. Meanwhile, the sepia shots of the wooded paths evoke a sense of nostalgia, as if the photos themselves were discovered in an attic from the era when steam still rattled across these heights.

A Legacy in Stone

Today, Hewenden Viaduct is a Grade II listed structure, protected for future generations. It no longer echoes with the thunder of coal trains or passenger carriages heading for Keighley; instead, it belongs to the walkers, cyclists, and photographers who come to marvel at its grace.

Visiting in October provides a unique mood. The "Season of mists and mellow fruitfulness" suits the viaduct perfectly. It is a place of quiet reflection, where the birdsong from the valley floor reaches you even at the height of the tallest arch, and the water of the reservoir laps gently against the stone.

Whether you are a local history buff or a photographer looking for the perfect leading line, Hewenden remains one of the most photogenic spots in the north of England. These images from 2015 are a reminder that while the seasons change and technology moves on, the grandeur of our industrial heritage remains a constant, immovable part of the horizon.

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All the pictures remain the copyright of Colin Green.

Steel, Stone, and Steam: The Brutalist Soul of Burnley Central Railway Station

 From its origins as Burnley Bank Top to its current status as a vital link on the East Lancashire Line, Burnley Central Railway Station serves as a fascinating lens through which to view the town's industrial and architectural evolution. These images taken on the 19th August 2022 offer more than just a view of a transit hub; they capture the stark, enduring character of a station that has survived decades of railway rationalization and urban change.

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The Victorian Origins: From Bank Top to Central

Burnley Central's story began in 1848, when it was opened by the East Lancashire Railway Company. Originally named Burnley Bank Top, it sat on high ground, overlooking a town that was about to become the cotton-weaving capital of the world.

A Hub of Industry

In its early years, the station was far from a quiet commuter stop. It was a bustling terminus for both people and goods:

• The Cotton Connection: Local mill owners used the station to travel to Manchester’s Royal Exchange to purchase raw cotton.

• Colliery Links: A short branch line once ran from the station directly to Bank Hall Colliery, fuelling the local foundries and mills.

• Expansive Reach: In the late 19th and early 20th centuries, passengers could catch direct trains from this platform to major hubs like Liverpool, Blackpool, and even London Euston.

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The 1960s Transformation: "Blue Brick and Bleak"

The mid-20th century brought dramatic changes to the British railway network, and Burnley Central was not spared. The Beeching cuts and general restructuring of the 1960s saw the loss of many through-routes.

A New Architectural Era

The original Victorian buildings were demolished during this period to make way for a more modern—if polarizing—structure. Rebuilt between 1964 and 1966, the new station was designed by RL Moorcroft, an architect for British Rail.

"Described by Claire Hartwell in the Buildings of England as ‘of blue brick, bleak,’ the 1960s redesign reflects the brutalist aesthetic of the era".

The station's layout was uniquely adapted to its topography: the ground floor sits at street level on Railway Street, while the first floor opens directly onto the platform level. While some find the blue brick design uninviting, it remains a significant example of 1960s infrastructure in Lancashire.

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Revitalizing Burnley Central: A Modern Canvas

In recent years, the station has undergone a creative transformation to move away from its "bleak" reputation. Through partnerships with Community Rail Lancashire, the station has been brightened with multilingual artwork.

Cultural Landmarks

A particularly interesting addition to the station's narrative is the William Thompson frieze. Although the original recreation centre it adorned was demolished in 2006, the station's history is closely linked to these flagship symbols of progress from the 1970s. Today, the station itself has entered Phase 2 of a development project, transforming older wings into versatile event spaces for weddings and live music, breathing new life into the 1873-era architecture that still stands alongside the 1960s additions.

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Visiting Burnley Central Today

If you are visiting today, you’ll find a station that is "small but serves its purpose well". It is managed by Northern Trains and provides hourly services to Colne and Preston.

Essential Information for Travelers:

• Accessibility: The station is Category A, meaning it is mobility-scooter friendly with step-free access to all platforms via a 20-meter ramp.

• Facilities: Basic amenities include a ticket machine, a seated waiting area (available during booking office hours), and bicycle storage.

• Proximity: It is a convenient 5-minute walk from Burnley’s new college and about 15 minutes from the main bus station.

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Preservation Through the Lens

These 35mm slides are a reminder of the station's "poignant and intense" textures. Whether it’s the utilitarian blue brick or the surviving Victorian stonework, Burnley Central stands as a physical record of the town’s successes and transitions. It reminds us that while the trains may now run on a single track to a "dead-end" town, the history embedded in these platforms is anything but a dead end.

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The Salvage Archive: A Journey Back to Calgary Bay, Isle of Mull, 1966

 There is a unique magic hidden within the grain of a vintage 35mm slide. When the projector hums to life and that bright, dust-flecked beam of light hits the screen, it doesn’t just show a picture; it opens a portal. Today, I am thrilled to share a very special piece of my personal archive: two beautifully preserved slides of Calgary Bay on the Isle of Mull, captured during the summer of 1966.

These images offer more than just a scenic view; they are a quiet witness to a different era of Scottish travel, showcasing one of the Inner Hebrides' most iconic beaches before the age of mass tourism and digital immediacy.

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The Untouched Beauty of Calgary Bay

Calgary Bay has long been regarded as one of the finest beaches in Scotland. Located on the north-west coast of the Isle of Mull, it is famous for its "machair"—the low-lying fertile grassy plain—and its startlingly white shell sand.

In these 1966 photographs, the timeless nature of the landscape is striking. In one view taken from an elevated, rocky vantage point, we see the bay's famous white sands shimmering under the soft Scottish light. The foreground is dominated by rugged rocks and patches of hardy coastal flora, likely purple heather or wild thyme, which still blankets the island today. Across the water, the dense woodland and the gentle rise of the hills frame the beach in a way that feels sheltered and ancient.

A Snapshot of 1960s Adventure

The second slide in the collection provides a wonderful "human interest" element that perfectly captures the spirit of mid-century motoring. We see a classic white car, likely an Austin or Morris of the era, parked right at the edge of the grassy machair overlooking the Atlantic. Beside it, a figure sits in a folding chair, perhaps taking in the evening air or waiting for the kettle to boil on a portable stove.

In 1966, a trip to Mull was a true expedition. The roads were almost entirely single-track with passing places, and the ferries were smaller and less frequent than the modern CalMac fleet we know today. This image encapsulates the "slow travel" movement decades before it had a name—the simple joy of finding a quiet spot, turning off the engine, and letting the silence of the Hebrides wash over you.

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The 35mm Aesthetic: Why Film Matters

Looking at these slides, you notice a colour palette that modern digital sensors struggle to replicate. The blues of the water have a deep, cinematic quality, and the greens of the hills are rich and organic.

• The Grain: There is a physical texture to these images that tells you they were made of light hitting silver halide crystals.

• The Atmosphere: The 1966 light feels softer, perhaps filtered through a different quality of Atlantic mist or simply preserved by the chemical aging of the slide itself.

• The Story: Every slide in a collection like this represents a deliberate choice. In 1966, you only had 24 or 36 exposures on a roll. You didn't "burst" twenty photos of the same wave; you waited for the right moment.

Calgary Bay: Then and Now

While much of the world has changed since 1966, Calgary Bay remains remarkably preserved. Thanks to its remote location and the stewardship of the local community, you can still stand on those same rocks today and see a view that is almost identical to the one captured in these slides.

However, the "wild camping" feel seen in the photo with the car has become more regulated to protect the fragile machair environment. Today, visitors are encouraged to use designated areas to ensure that the white sands and rare wildflowers remain for another sixty years.

Why Visit Calgary Bay Today?

• The Sand: The sand is made largely of crushed shells, giving it a brilliant white glow even on overcast days.

• The Art: The nearby "Art in Nature" woodland walk features sculptures hidden among the trees.

• The Wildlife: It is a prime spot for seeing White-tailed Sea Eagles soaring over the headlands.

• The History: From the ruins of abandoned villages nearby to these 1960s memories, the bay is a layer cake of Scottish history.

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Preserving the Past

Sharing these 35mm slides is a reminder of the importance of physical archives. In an age where we take thousands of photos on our phones that are often never looked at again, these two slides have survived over half a century to tell us a story about a car, a beach, and a quiet moment in the sun.

Whether you are a fan of vintage photography, a lover of the Isle of Mull, or someone who appreciates the nostalgia of the 1960s, I hope these images transport you to the water's edge at Calgary Bay.

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Scaling the Skies: A Visit to the Iconic Redcar Beacon

 Nestled on the rugged and beautiful North Yorkshire coastline lies a vertical pier that has sparked conversation, divided opinions, and ultimately become a symbol of modern seaside regeneration. The Redcar Beacon, a striking 80-foot structure, stands as a sentinel over the Esplanade, offering visitors a perspective of the Teesside coast that was once reserved only for the gulls.

Whether you are a local rediscovering your hometown or a traveller exploring the hidden gems of Northern England, the Beacon is a must-visit destination. In this post, we’ll take a deep dive into why this "vertical pier" is the heartbeat of Redcar's seafront.

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An Architectural Marvel on the Esplanade

The first thing you notice about the Redcar Beacon is its unapologetic design. Rising seven stories into the North Sea breeze, its cylindrical form is wrapped in a shimmering, helical steel mesh that glows with purple and gold accents.

Designed as part of a multi-million-pound regeneration project, the Beacon wasn't just built to be looked at—it was built to be experienced. As you approach from the sandy expanse of Redcar Beach, the structure looms over the concrete sea defences, a futuristic contrast to the traditional Victorian terraces that line the nearby streets.

The Ascent: A Journey Through the Clouds

What makes the Redcar Beacon truly special is the journey to the top. The structure features a series of internal and external walkways that spiral upward.

• The Ground Floor: Often home to small independent businesses or information points, the base is the gateway to your climb.

• The Creative Hub: As you ascend, you’ll notice studio spaces designed for creative industries, adding a layer of functional art to the building.

• The Viewing Platform: This is the crown jewel. Once you reach the top, you are greeted by an open-air gallery that offers 360-degree panoramic views.

A View Like No Other

Standing on the top deck of the Beacon, the wind in your hair and the salt on your lips, the scale of the North East landscape unfolds before you.

Looking South: The Cliffs of Saltburn

Scanning southwards, your eyes follow the curve of the bay toward the dramatic cliffs of Huntcliff near Saltburn-by-the-Sea. On a clear day, the contrast between the deep blue of the North Sea and the lush greenery of the Cleveland Way is breathtaking. You can watch the waves roll in across the "scars"—the rocky outcrops visible at low tide—creating intricate patterns in the sand.

Looking North: The Industrial Skyline

Turning to the north, the view shifts from natural beauty to industrial heritage. You can see the mouth of the River Tees and the sprawling silhouettes of the Teesside industry. It’s a powerful reminder of the region’s "Ironopolis" roots, where the steel that built the world was forged. Beyond the industry, the wind turbines of the Teesside Offshore Windfarm stand like toothpicks in the ocean.

Looking Inland: The Gateway to the Moors

If you turn your back to the sea, you aren't disappointed. The view inland reveals the tight-knit grid of Redcar’s streets, leading the eye toward the distant, rolling silhouettes of the North York Moors. It is a rare spot where you can truly appreciate how the coast and the country collide in this part of England.

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More Than Just a View: The Regent and Beyond

From the elevated vantage point of the Beacon, you can spot the other new addition to the skyline: The Regent Cinema. This sleek, modern building sits right on the edge of the beach, continuing the theme of modern architecture revitalizing the seafront. Between the Beacon and the Regent, Redcar has successfully blended its nostalgic "lemon top" ice cream heritage with a forward-thinking aesthetic.

Tips for Your Visit

If you're planning a trip to the Redcar Beacon, here are a few things to keep in mind:

1. Check the Weather: The North Sea can be temperamental. While the Beacon is sturdy, the viewing platform is open-air. A clear, sunny day offers the best visibility, but a moody, overcast sky makes for some incredible dramatic photography.

2. Bring Your Camera: Whether you have a professional DSLR or a smartphone, the angles provided by the spiral mesh and the heights are a photographer's dream.

3. Explore the Beach: After your descent, take a walk on the vast sands. At low tide, the beach is enormous, perfect for dog walking, sand art, or simply clearing your head.

4. Support Local: The area surrounding the Beacon is filled with charming cafes and traditional fish and chip shops. Nothing beats a warm bag of chips after a breezy climb!

Final Thoughts

The Redcar Beacon is more than just a building; it’s a statement of intent. It celebrates the height, the heritage, and the horizon of a town that is proudly evolving. It offers a moment of reflection—a chance to stand above the hustle and bustle of the Esplanade and look out at the infinite beauty of the North Yorkshire coast.

Next time you find yourself in the North East, don't just drive past. Stop, climb, and see the world from the Beacon.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

All the images remain the copyright of Colin Green

A Moody Monochrome Wander: Sowerby Bridge's Canals and Heritage

Date: November 24, 2019

There’s a certain kind of beauty in a gloomy, late-autumn walk, especially one that weaves through the industrial heritage of a place like Sowerby Bridge. On November 24th, 2019, I set out to trace a route along the town’s intersecting waterways—the Calder & Hebble Navigation and the Rochdale Canal—capturing the muted, atmospheric tones of the day.

Starting the Journey: Chain Bridge

My walk began at the Chain Bridge on the Calder & Hebble Navigation. The black-and-white view of the old stone buildings and the quiet, reflective water immediately set the mood . The towpath here, flanked by housing and overgrown banks , felt secluded, a peaceful contrast to the town’s bustling history.

The view towards Sowerby Bridge Canal Basin from Chain Bridge. The junction with the Rochdale Canal visible to the left. 

Chain Bridge

Chain Bridge, The Navigation Inn to the left. The bridge once used to have a chain pulled across to prevent access to the canal wharf on Sundays, hence the name Chain Bridge.

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The Heart of the Waterways: Locks and Tunnels

The route quickly led me to the junction where the Calder & Hebble meets the Rochdale Canal, one of the grand pioneers of the British canal system.

A highlight was the cluster of locks here. The sepia-toned view of Lock 1 , with its mist and the distant, looming sight of the Wainhouse Tower, felt like stepping back a century. A little further on, the view framed by bare branches over Lock 2 gave the industrial structures a sombre, cinematic quality.

I also took a moment to capture the imposing view near the Tuel Lane Tunnel entrance . Framed by the reflection in the dark canal water, the sturdy stone of the buildings and the tower of Christ Church stood as silent witnesses to Sowerby Bridge’s long past.

Kirkham Turn, The start of the Rochdale Canal.

Lock 1 on the Rochdale Canal.

Lock 1

Lock 2 on the Rochdale Canal.

Lock 1 viewed from Lock 2. Wainhouse Tower dominates the distant horizon.

Tuel Lane Tunnel and Christ Church. The canal was blocked here for decades.

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Hidden Paths and Arches

Leaving the main canal junction, I crossed the River Calder and followed the path beneath Lock Hill Bridge. This section was particularly evocative. The cobbled path, walled in by rough stone and corrugated iron , felt like a secret passage. The tunnel-like perspective, captured in warm sepia, highlighted the rugged textures and the long-forgotten shortcuts of the area.

The River Calder from Lock Hill Bridge.

Lock Hill Bridge

After passing through the dimly lit subway beneath Sowerby Bridge Railway Station , I headed towards the local woodland, taking in sections of the River Ryburn and the lower parts of Dixon Scar Woods.

Sowerby Bridge Station Subway. The tunnel now blocked used to run on into the original station building that was demolished c1980.

The Jubilee Refreshment Rooms housed in the former station ticket office. This is all that remains of the magnificent station building demolished c1980.

River Ryburn

River Ryburn towards Station Road Bridge.

River Calder from County Bridge.

Football pitch at Dixon Scar Woods.

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The Final Stretch: Returning to the Canal

The final leg of the walk returned to the Rochdale Canal, starting near the remote and atmospheric Hollins Tunnel. The towpath here was quieter, covered in a blanket of damp leaves, with the dark, watery entrance of the tunnel beckoning .

I then walked along this quieter stretch, passing a moored narrowboat , with the dense woodland banks rising dramatically on the right.

The contrast between the industrial architecture and the natural landscape became more apparent as I reached the massive stone mill buildings that line the waterway . The walk concluded at Bridge 1A (Tower Hill) , another perfect archway framing the final view of the canal before heading back.

Hollins Tunnel.

Co-Op Bridge over the Rochdale Canal.

Bridge 1a Tower Hill.

This walk on a cold, grey day offered a unique perspective on Sowerby Bridge. The monochrome palette of the photographs—whether black-and-white or sepia—strips away the distraction of colour and forces you to appreciate the textures, the history, and the mood of the town’s incredible industrial waterways.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

All the images remain the copyright of Colin Green.